I AM, ECSTASY.

I AM, ECSTASY.

SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!!

SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!! SUGXRBXBY !!!

pl xy
mxte
pl xy
astrangerlately:
“did its people want too much, too?
did its people want too much?
”

astrangerlately:

did its people want too much, too?
did its people want too much?

mirroredroads:

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on wanting what you cannot have

Gemma Troy, Heart Lines. / Chunking Express (1994) dir. Wong Kar-wai / Washing Machine Heart (2018) Mitski / silhouette, park slope, Brooklyn @joelzimmer / Sylvia Plath, Poppies in July / Lossapardo / Clarice Lispector, Àgua Viva

metamorphesque:

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― Speeches for Dr Frankenstein, Margaret Atwood

[text ID: you dangle on the leash / of your own longing; your /  need grows teeth]

softcherri:

tessas-thompson:

Keke Palmer as Emerald Haywood
in NOPE (2022), dir. Jordan Peele

she made this movie. period.

melodramas:

DOECHII
attends the 2022 VMAs | August 28, 2022

the-elf-draws:
“ Asking for directions
”

the-elf-draws:

Asking for directions

mxte